AFRS-5
dont1961
The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943 and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcaster heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they made preparations for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London.
This recording is part of the Old Time Radio collection.
Chapters
| GI Jive - Harry James - The Mole | 15:01 |
| At The Jazz Band Ball | 15:00 |
| GI Journal - Special Anniversary Edition | 30:16 |
| Jill's All Time Juke Box - Christmas Special | 30:07 |
| Jills All Time Juke Box | 30:00 |
| Those Who Walk In Darkness | 28:33 |
| Hit Parade | 31:02 |
| This Is Your FBI | 25:09 |
| Angel Face | 25:06 |
| The Distant Future | 29:02 |
| Mr. District Attorney | 30:35 |
| The Dark Chamber | 25:10 |
| Porgy and Bess | 30:09 |
| Command Performance | 30:25 |
| Mail Call | 30:33 |
| The Lost Special with Orson Welles | 30:18 |
| Yeoman of the Guard | 58:36 |
| Personal Album - Jo Stafford | 15:10 |
| Personal Album - Martha Mears | 15:03 |
| One Night Stand | 30:40 |
| Victory Parade of Spotlight Bands - Lawrence Welk - First Song - Maria, My Own | 15:05 |
| Victory Parade of Spotlight Bands - Gene Krupa - Blue Moon | 15:05 |
| GI Journal | 30:18 |
| Victory Parade of Spotlight Bands - Sometimes I'm Happy | 15:08 |
| Victory Parade of Spotlight Bands - Benny Goodman | 15:08 |
| Kate Smith | 29:17 |
| Mr. Fixit | 29:32 |
| Jill's All Time Juke Box | 29:50 |
| Melody Round-Up | 15:00 |
| Melody Round-Up | 14:58 |