Performing Arts

The Birth of Tragedy

by Friedrich Nietzsche Read by John Van Stan 4.7
This is one of Nietzsche's early academic writings - a scholarly theory about Ancient Greek theatre, specifically tragedies. In a nutshell, …

The Speaking Voice

by Katherine Jewell Everts Read by Ruth Golding 4.7
From the Preface of The Speaking Voice: principles of training simplified and condensed: "This book offers a method of voice training w…

Stories From Wagner

by J. Walker McSpadden Read by David Wales 4.7
Eleven stories of eleven operas by Richard Wagner: Das Rheingold. Die Walküre. Siegfried. Götterdämmerung. Parsifal. Lohengrin. Ta…

Buffalo Bill from Prairie to Palace

by John M. Burke Read by LibriVox Volunteers 5
William Frederick "Buffalo Bill" Cody is one of the legends of the American western frontier. As a teen he rode for the pony expr…

Institutio Oratoria

by Marcus Fabius Quintilianus Read by Leni 4.8
Marcus Fabius Quintilianus was of Spanish origin, being born about 35 A.D. at Calagurris. At Rome he met with great success as a teacher and…

Screen Acting

by Mae Marsh Read by Amanda Friday 4.7
Silent film star, Mae Marsh, recounts her life as an actress in this publication, what she deems as being the answer to thousands of letters…

The Sins of Hollywood

by Ed Roberts and Edward Roberts Read by Chuck Williamson 4.2
Exacerbated by several high-profile Hollywood scandals, a wave of anti-Hollywood rhetoric tried to paint the movie capital as a veritable ho…

The Humbugs of the World

by P. T. Barnum Read by LibriVox Volunteers 4.2
P. T. Barnum exposes some of the chief humbugs of the world with his usual entertaining style. He looks at medicine and quacks, ghosts, witc…

Herrmann's Book of Magic

by Alexander Herrmann Read by LibriVox Volunteers 4.2
Herrmann's Book of Magic offers a comprehensive exploration of the art of magic, blending practical techniques with the secrets of illusion.…

A Dialogue Concerning Oratory

by Publius Cornelius Tacitus Read by Leni 4.8
The scene of the Dialogus de Oratoribus, as this work is commonly known, is laid in the sixth year of Vespasian, 75 a.D. The commentators ar…

Struggles and Triumphs

by P. T. Barnum Read by LibriVox Volunteers 3
The 1873 edition of the autobiography of the founding genius of the "Greatest Show on Earth," P.T. (Phineas Taylor) Barnum. It d…

Sawdust and Spangles

by William Cameron Coup Read by Beeswaxcandle 4.9
Subtitled "Stories and Secrets of the Circus", this book tells some of the stories of circuses in the era of P.T. Barnum from the …

The Cinema of Orson Welles

by Peter Bogdanovich Read by Ben Tucker 4.3
Acclaimed director Peter Bogdanovich (The Last Picture Show, Paper Moon) was, early in his career, a film critic. It was during this time t…

Hollywood

by Theodore Dreiser Read by Chuck Williamson 4.1
Serialized in Shadowland from November 1921 to February 1922, Hollywood: Its Morals and Manners is Theodore Dreiser's shocking four part exp…

Modern Magic

by Professor Louis Hoffman and Professor Hoffman Read by LibriVox Volunteers 4.1
This "how-to" book covers everything for the 1800's illusionist, from stage presence & dress, program and stage arrangement, t…

The Miracle Mongers

by Harry Houdini Read by LibriVox Volunteers 4.6
The Miracle Mongers offers a fascinating glimpse into the world of stage performers and the extraordinary feats they claim to accomplish. Wr…

Broadway Is My Beat

4.9
Broadway Is My Beat is a captivating radio series that takes listeners on a journey through the vibrant world of New York City's theater dis…

Behind the Footlights

by Ethel Brilliana Tweedie Read by LibriVox Volunteers 5
In this collection of essays the author gives us an opportunity to peek into the mysterious life of the theatre; she recalls her numerous co…

The Unmasking of Robert-Houdin

by Harry Houdini Read by Cavaet 4
This work is by Harry Houdini, and was an attempt, by him, to undermine the public reverence for the man regarded as the master of modern ma…

The Voice and Public Speaking

by John Poole Sandlands Read by LibriVox Volunteers 2.8
I write for public speakers. I wish to take them into my confidence. I feel I can do them good. My object is to help them to speak with grea…

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